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In Rumi: Bridge to the Soul,Coleman Barks—who holds an honorary doctorate in Persian language and literature by the University of Tehran for his decades-long translations of Rumi—has collected and translated ninety new poems, most of them never published before in any form. The “bridge” in the title is a reference to the Khajou Bridge in Isphahan, Iran, which Barks visited with Robert Bly in May of 2006—a trip that in many ways prompted this book. The “soul bridge” also suggests Rumi himself, who crosses cultures and religions and brings us all together to listen to his words, regardless of origin or creed.

The Virtue of not fighting (buzheng zhi de) is the cardinal principle of this masterpiece coming from the sixth century BC China, where winning means applying cunning and wisdom without commitment, in accordance with the legacy of Taoism and its foundations.

This is the story of Rahel and Estha, twins growing up among the banana vats and peppercorns of their blind grandmother’s factory, and amid scenes of political turbulence in Kerala. Armed only with the innocence of youth, they fashion a childhood in the shade of the wreck that is their family: their lonely, lovely mother, their beloved Uncle Chacko (pickle baron, radical Marxist, bottom-pincher) and their sworn enemy, Baby Kochamma (ex-nun, incumbent grand-aunt).